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PAN TIANSHOU?BIRD AND ROCK AFTER BADA SHANREN

Lot No: 2714

Estimate(RMB): 800,000-1,200,000

Price Realized(RMB):1,127,000(Including commission)

成畫之年,潘天壽于重慶藝專請辭,乞歸縉云老家探親。奔波于途,寫就《中國畫院考》《聽天閣詩存》等理論著述。數(shù)年間,對傳統(tǒng)畫論深入研讀。此后,潘天壽對八大山人推崇有加,以其表現(xiàn)事物深刻之極,“以虛求實(shí),古無二得,落落疏疏,妙極難處”之贊譽(yù),并至于一生都在求筑“絕險(xiǎn)”的審美取向,由本作可見一斑。對比1928年作《墨色小鳥圖》(潘天壽紀(jì)念館藏)、1941年《擬八大鳥石》(本幅)、1963年《擬個山僧未似》(山東美術(shù)館藏)均繪單鳥孤石,恰反映潘天壽藝術(shù)風(fēng)格的三個時期皆受益于八大山人。早期臨仿造型、水墨皆以八大氣象為主;晚期霸悍的個人風(fēng)格強(qiáng)烈,而40年代正處于題材、技法之師古革新,風(fēng)格初顯的階段。本幅中鳥、石的形式語言得八大孤絕,然濃淡、虛實(shí)、繁簡對比已頗具當(dāng)代意識,用筆得八大之簡勁,但典型方折筆法業(yè)已初現(xiàn),此幅生動展現(xiàn)了一代宗師的攀登之路,亦有益于潘氏筆墨塑造之補(bǔ)充研究。PAN TIANSHOU BIRD AND ROCK AFTER BADA SHANRENInk on paper, hanging scrollDated 1941Illustrated: Complete Works of Pan Tianshou, vol. 1, p. 229, Zhejiang University Press, 201455.5×32cmRMB: 800,000-1,200,000

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